Yeh Jawaani Hai Deewani features two polar opposite characters, who at one point were classmates in Modern School. The first is Naina Talwar (Deepika Padukone), a studious bespectacled young girl. The second is Bunny (Ranbir Kapoor), a carefree young travel-show host, intent on breaking out of the pattern of getting an education, a career, a wife, children, retirement, and eventually death.
Kamal (Jayam Ravi), a young billionaire, doesn`t believe in love; his philosophy is simple: No love, no commitments = No disappointments. He works hard for 11 months and takes a month`s break from all the work related commitments. Cute violinist Kayalvizhi alias Kayal (Hansika Motwani) believes in true love and is highly fascinated with Indian culture. Kayal`s father Rajasekhar (Suman) runs a small detective agency in France and Kayal often reads her father`s case files for interesting stories. One day, Rajasekhar gets a new client (Sonu Gates) who wants to know about his girlfriend`s mystery man. After a brief investigation, Rajasekhar finds that his client`s girl friend is dating Kamal. Sonu gets angry and decides to kill his girlfriend and Kamal.
Vishu and Ramu are a pair of Indian twins living in America with their father, Rajamani. When Madhumita (Aishwarya Rai) and her brother come to America to get medical treatment for their ailing grandmother, Vishu and Ramu end up meeting them at the airport. Vishu falls in love with Madhumita, and the couple has everyone’s blessing, except for Rajamani, who is estranged from his own twin brother. He only wants his sons to marry twin sisters, so Madhumita pretends to have a twin in order to please him. As Madhumita puts on a charade by creating Vaishnavi, all goes well, until Ramu falls in love with Vaishnavi. Now the truth must come out, before Madhumita has to marry both of Rajamani’s twin sons.
Italian-French-British TV film targeting the US audience, about the fashion icon Coco Chanel. The film begins with the fashion goddess (deftly played by Shirley MacLaine) in her twilight years, steeped in wealth and fame, still issuing game-changing designs and collections. From here the biopic looks backwards to the woman’s upbringing in an orphanage, and traces her path to ubiquity as it winds through poverty, wars, doomed romances, and rather glamorous betrayals.
Paris 1913, Coco Chanel is infatuated with the rich and handsome Boy Capel, but she is also compelled by her work. Igor Stravinsky’s The Rite of Spring is about to be performed. The revolutionary dissonances of Igor’s work parallel Coco’s radical ideas. She wants to democratize women’s fashion; he wants to redefine musical taste. Coco attends the scandalous first performance of The Rite in a chic white dress. The music and ballet are criticized as too modern, too foreign. Coco is moved but Igor is inconsolable. Paris 1920, Coco is newly wealthy and successful but grief-stricken after Boy’s death in a car crash. Igor, following the Russian Revolution is now a penniless refugee living in exile in Paris. Coco is introduced to Igor by Diaghilev, impresario of the Ballets Russes. The attraction between them is instant and electric. Coco invites Igor along with his wife – now sick with consumption – together with his four children and a menagerie of birds to stay at her new villa, Bel Respiro, in Garches.
Mary, Queen of Scots, faces political and sexual intrigue in the treacherous world of the French court.
While visiting her sister (Naomi Watts) in Paris, a young woman (Kate Hudson) finds romance and learns her brother-in-law is a philanderer.
Several years after leaving the orphanage, to which her father never returned for her, Gabrielle Chanel finds herself working in a provincial bar both. She’s both a seamstress for the performers and a singer, earning the nickname Coco from the song she sings nightly with her sister. A liaison with Baron Balsan gives her an entree into French society and a chance to develop her gift for designing.